theatre, film & tv past and present 2001-2008 & 2013…
New Theatre In Your Neighbourhood
I’ve spent a lot of this year – not least on this blog – arguing that theatre-makers could be more considerate of the feelings they provoke in their audiences and the state in which they leave people at the end of a show. Work that deals with sensitive topics, in challenging ways, that might trigger unexpectedly strong personal reactions within its audiences, owes a duty of care to the people who have paid money to see it, which might include consciously providing safe spaces for discussion and decompression directly afterwards for anyone who needs them. To an extent, that’s been a philosophical argument: I’ve attended intense and provocative shows with strangers and witnessed first-hand how upset they were by the work, which led naturally to wondering how theatre-makers (and critics) might be able to help them process that upset. Within that philosophical framework I’ve also argued the opposite, asked whether…
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