FRAYN
First of all, I don’t think it is strange to be both novelist and playwright. I wonder why others don’t do both. I think the great difference is that in a novel it is possible for the writer to be inside the head of at least one of the characters. He doesn’t have to be, but if you think of most of the novels you’ve read, the author has known what all the characters’ thoughts and feelings and intentions were. If you read: She felt bitter resentment about what he had said. He intended to set off for Birmingham, but he changed his mind. She realized that he had not understood what she had said, etcetera—all these things seem absolutely natural, you don’t even notice that is the way most novels are written. In fact it is quite odd, because it implies that the author has absolute…
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