Rogues & Vagabonds

theatre, film & tv past and present 2001-2008 & 2013…

Archive Interview • DAN STEVENS • Hay Fever • 2006

Dan Stevens in 2009 [Wikimedia]

Dan Stevens in 2009 [Wikimedia]

Dan Stevens is hot property at the moment. The dashing twenty-three-year-old Cambridge graduate has already notched up professional credits with Sam West and Peter Hall and is currently performing in the West End alongside Judi Dench in Hay Fever. Stevens is also set to hit our television screens this week, starring in the BBC 2 primetime drama, The Line of Beauty.

From whence did this rising star spring? With characteristic modesty, Stevens cites how “lucky” he has been at least five times during our conversation. “It is surreal. I’m starting to get double-takes on the tube and things, which is a bit unnerving. But that’s not really what I’m in it for, and I sort of didn’t really think about that… I don’t feel like a proper grown-up at all,” he giggles.

Despite not having seen much theatre as a child, acting has “always been a dream” and Stevens remains grateful for his parents’ support. “It’s not every parent who smiles when their child tells them they’re going to be an actor, because they know that they’re going to be supporting them for the next twenty years.”

Stevens unquestioningly chose university over drama school. An English student, he developed his acute interest in literature “with the knowledge that [Cambridge] was quite a good place to become an actor from”. Surrounded by other theatricals, it provided good preparation for the industry outside. “There was sort of a microcosm at Cambridge of the professional world, with all the competitiveness and bitchiness.”

But it isn’t every young actor who finds himself playing Macbeth to Rebecca Hall’s Lady in their first year of university. Nor do many actors have Peter Hall as the first credit on their CV.

Stevens auditioned for As You Like It during his finals, and within months of graduating began an international tour with The Peter Hall Company. “The New York audiences were phenomenal… I always remember someone on the metro recognising me and saying ‘thank you so much; you’re like a cultural Red Cross package’. They were so excited to have Shakespeare spoken by English actors.”

Similarly, you can sense the buzz that Stevens gets out of making connections with his audiences and fellow company members. He admits to feeling “a bit nervous” about working with the legendary Hall initially, “but that was instantly dispelled by the fact that he’s just a very gentle, lovely man… I think the reputation he has is probably based on something that happened in the 60s, when he was a fiery youth. He’s actually mellowing.”

Peter Hall has remained an important mentor to Stevens. Having worked together on As You Like It, Much Ado About Nothing and Hay Fever, the pair evidently get on extremely well. “It’s been nice to have him on board from an early stage so that we’ve developed a relationship together… He has a great understanding of what actors can do, and what he can’t do.”

Like Coward, Hall insists that his actors arrive off-book on the first day of rehearsals. Stevens clearly enjoys Hall’s direct approach: “He’s a very text-based director; there’s no sort of woolly philosophical frills.”

Did Stevens share the same sort of rapport with Sam West? “It’s interesting the sensitivity he brought to directing, which was very different to the sensitivity that Peter Hall has in the rehearsal room – much, much more intuitive and instinctive, which isn’t always the quickest way of getting to the direction”.

On every production that we discuss, Stevens seems drawn to the ensemble experience of performing. On The Romans in Britain: “Sam was very good at instilling that feeling of a group adventure; it was a really great ensemble – seventeen actors playing fifty-eight roles and there was no real star in that show.”

Similarly, for Stevens, Hay Fever “feels like a joint effort and a group exploration and adventure”, which Stevens obviously relishes. Was he not a little daunted working with Dench? “She’s very supportive and encouraging… incredible to watch and learn from, on stage and backstage, in the way she treats the rest of the cast and the crew… She’s just an incredibly, impossibly lovely person… I’d love to be able to dish some dirt, but there isn’t any.”

Stevens was aware of Hall’s intentions to direct Hay Fever from an early stage, and immediately informed him of his desire to play Simon. “I think he thought I was a bit mad, because he doesn’t think of it as a particularly great role. But it was a style that I was keen to try out.”

Stevens’ fascination with the English language shines through: “Coward’s not the sort of playwright that you can do your own version of, really; you can’t modernise it. You have to submit yourself to the cadences of 1920s speech.” Above all, Stevens is keen to challenge himself and experiment with different artistic and performance styles, from Shakespeare to the “kind of edgy” Romans in Britain, to Coward and now The Line of Beauty.

Shot last Autumn, the three-part drama begins this Wednesday on BBC 2. Based on Andrew Hollinghurst’s “beautiful” 2004 Man Booker Prize-winning novel, The Line of Beauty tells of sex, drugs, greed and lust in Thatcherite Britain.

Stevens stars as its lead, Nick Guest, a 21 year-old gay Oxford student, experiencing his first sexual relationship. “My Mum wasn’t hugely enthusiastic initially about The Line of Beauty, because of its subject matter”. Will she be watching? “I don’t know. I’ve had in the back of my mind that I’ll sort of pop home and break the telly before she can watch it… I’ve told them they can watch episode 3, because there’s no sex or drugs in that one”.

How does Stevens himself feel about this major television performance? “It’s the first role that I’ve actually created, as it were, rather than playing a part that lots of other people have played before, and that was very exciting.” Stevens brushes off the fierce competition for his role, again attributing his success to good fortune: “I was hugely lucky and hugely honoured to be asked to play it.”

Surprisingly, Stevens hasn’t been pushed into telly jobs by his agent, whom he describes as “very sensitive to what I want to do and to developing a long-term career. He’s not in it for the quick buck.” Stevens has clearly made smart, selective choices in his brief but brilliant career, and it has been an unusually “group effort” with his agent. “At the end of the day, I think what a lot of actors forget is that they’re employing their agent… if you don’t want to do something, you don’t have to do it”.

With feet firmly planted on the ground, Stevens is also astutely aware that “the nation’s collective memory is rather short”; he is already hungry for work beyond Hay Fever and The Line of Beauty.

So, what does the future hold for this bright young thing – are there projects in the pipeline? “Well, I’m still working on a pipe line in which to have things, at the moment”, he self-effacingly jokes. Showing palpable enthusiasm to break into film, Stevens is equally determined not to give up theatre. You get the impression that he values and earnestly learns from every professional experience. “All I’m ambitious for is variety”, he says, mentioning Ibsen, Bernard Shaw, Ayckbourn, Beckett, Pinter and Osborne, before letting slip that he’s currently looking at Jimmy Porter.

“I’d love to work with [Michael Grandage]. The legacy he left in Sheffield was a great one. People spoke very highly of him there.” On a roll, Stevens then excitedly refers to the National: “I’d love to work there, but they haven’t shown any interest yet,” he laughs modestly. Watch this space.

Rhona Foulis © 2006

Originally published on R&V 16-05-06


2 comments on “Archive Interview • DAN STEVENS • Hay Fever • 2006

  1. beetleypete

    I watched him most recently in ‘The Guest’ (2014) Almost unrecognisable as an American special forces soldier, buffed up and hunky. Very different from his role in ‘Downton Abbey’.
    Best wishes, Pete. x

    Liked by 1 person

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s


This entry was posted on 03/16/2017 by in Interviews, Theatre and tagged , , , , , .
Dreaming Reality

If Existence is a dream, let us dream perfection....


Exploring best practice and research in sexual violence. A loud voice in the fight against victim blaming. Written and Managed by Jessica Eaton, Doctoral Researcher in Forensic Psychology

Teagan's Books

Now available: "Murder at the Bijou - Three Ingredients I"

Padre Steve's World...Musings of a Progressive Realist in Wonderland

Musings of a Progressive Realist in Wonderland

The History Woman's Blog

Just another weblog

Art by Jess Miller

sculpture and artwork


by Jack Monroe, bestselling author of 'A Girl Called Jack'

surprise saffron

relishing in life's surprises, delighting in food, travel, art

Wish I Were Here

Journeys Through Place and Time

Doron Art

A journey into my world of Painting

Taylor Revert

An anything-and-everything blog from life's number one fan

Random Facts in History

History is complex, massive, and full of strange events and coincidences. Learn with me as I hunt those out and bring them into the light.

Life with an Illness

*Tips and tricks on how to get through life when you have a chronic illness*

The poor side of life

Exposing the unfair treatment of jobseekers, the horrors of Universal Credit, unfair sanctions and heinous treatment of claimants at Ashton under Lyne Jobcentre.

Wild Woman Wisdom

We are wild, we are feminine we are rooted: I help women find their power and speak their truth.

Politics and Insights

Public interest issues, policy, equality, human rights, social science


Supporting the rich amateur theatre scene on the Isle of Wight

Robin Hoskyns Nature Photography - Blog

Images and stories of nature, science and conservation.

Sarah Ditum

Writing, etc.

The Müscleheaded Blog

"Nothing Exceeds Like Superfluous Jejunity "

Jots from a Small Apt.

Largely @ Liberty

Rethinking Life

Art and the philosophy of life

Croatia, the War, and the Future

Ina Vukic - Croatia: people, politics, history, economy, transition from communism to democracy

lynz real cooking

lynz real life

Pride's Purge

an irreverent look at UK politics

Pride's Purge

an irreverent look at UK politics

Tropical Affair

Observations of the illusion through the eyes of wonder...

The home of writer Barney Hoskyns' books, poems, photos and more.

Smorgasbord - Variety is the spice of life

Blog magazine for lovers of health, food, books, music, humour and life in general

I didn't have my glasses on....

A trip through life with fingers crossed and eternal optimism.

Left Handed Lottie

Drawing and painting on an ipad

Atelier 88

More than just rooms

The Sleeping Hare

Art by Lottie Nevin

Pacific Paratrooper

This site is Pacific War era information


The musings of a Londoner, now living in Norfolk

Vegan Books For Children

books from Little Chicken, Honestly Books and Violet's Vegan Comics


News, politics, insights, inside information from the left

Catherine Meyrick

Historical Fiction with a touch of Romance

Silver Screenings

an irreverent blog of old movies

My Life as an Artist (2)

Smile! You’re at the best site ever

Violet's Vegan Comics

Virtual Vegan Comics for Children

Two Rooms Plus Utilities

Written from the heart, this is the unadulterated truth of live with multiple chronic illnesses and being housebound. My life open for you to follow. Please join me


How current policy is little more than kicking the cat....

Matt's History Blog

Hopefully interesting snippets and thoughts

David Hencke

Westminster and Whitehall news investigations

Notes from the U.K.

Exploring the spidery corners of a culture and the weird stuff that tourist brochures ignore.

%d bloggers like this: